Design by Studio Formafantasma
Crafted from mouth-blown crystalline glass, this NUDE Pigmento pitcher conveys an elegant sensuality and demonstrates NUDE’s glassmaking expertise with its sprayed ombré effect. The special pigmentation technique, where splashes of colour are applied by hand to a sandblasted matte base, results in subtle variations and different characteristics, making each piece unique.
- 620 cc
- Lead-free crystal
- Sandblasted matte texture
NUDE is shipping to countries outside the countries Turkey, US and Europe from NUDE's International store. All orders made on NUDE International are dispatched from Turkey, Istanbul.
Customers ordering on the International store will be served with Delivery Duty Unpaid (DDU) and will be charged for items purchased and the shipping only. Import duties or tax costs (where applicable) will be invoiced to you directly from DHL or an import broker appointed to you. Your delivery country’s import duties may be charged to you when your parcel reaches customs. As custom duties are out of our control, we are unable to confirm the financial limits that exempt you from being charged.
You can return your product up to 14 days after receiving your order. Please make sure the product is in original package, not used nor damaged.
In case of a faulty product, reach out to us through our customer service. Keep your order number and pictures of the faulty product at hand for a fast service.
The mastery and craftsmanship of handmade glass is a signature of NUDE. NUDE prides itself in its artisanal approach to glassware, specialising in handmade, pure crystalline glass, be the pieces blown, pressed, or press-blown. With 350 Master blowers, NUDE continues to handmake much of the world’s most acclaimed glassware.
Andrea Trimarchi and Simone Farresin are Studio Formafantasma, an Italian designers duo based in Amsterdam, The Netherlands. Both Andrea Trimarchi and Simone Farresin become recognized internationally for their provocative experimental materials, investigations and explorations of such issues as the relationship between tradition and local culture, critical approaches to sustainability, the historical, political and social forces that shape human environments and the significance of objects as cultural conduits. Viewing themselves as a bridge between craft and industry, object and user, research and the wider design industry, they have applied rigorous attention to context, process and detail on projects. Works by Studio Formafantasma have been commissioned by a variety of partners.