Red Or White
Decanter

$205

Design by Ron Arad

Taken from the collection designed by Ron Arad and nominated for the 2017 German Design Award, this NUDE Red Or White decanter is part glassware, part sculpture. Crafted from lead-free crystal, this piece features the series’ signature geometric volumes and the perfectly imperfect shape. Also available in the same range are wine and water glasses, as well as a jug.

  • 2100 cc
  • Handmade
  • Lead-free crystal

NUDE is shipping to countries outside the countries Turkey, US and Europe from NUDE's International store. All orders made on NUDE International are dispatched from Turkey, Istanbul.

Customers ordering on the International store will be served with Delivery Duty Unpaid (DDU) and will be charged for items purchased and the shipping only. Import duties or tax costs (where applicable) will be invoiced to you directly from DHL or an import broker appointed to you. Your delivery country’s import duties may be charged to you when your parcel reaches customs. As custom duties are out of our control, we are unable to confirm the financial limits that exempt you from being charged.

You can return your product up to 14 days after receiving your order. Please make sure the product is in original package, not used nor damaged. 

In case of a faulty product, reach out to us through our customer service. Keep your order number and pictures of the faulty product at hand for a fast service.

The mastery and craftsmanship of handmade glass is a signature of NUDE. NUDE prides itself in its artisanal approach to glassware, specialising in handmade, pure crystalline glass, be the pieces blown, pressed, or press-blown. With 350 Master blowers, NUDE continues to handmake much of the world’s most acclaimed glassware. 

Introducing

Ron Arad

Architect and industrial designer Ron Arad was born in Israel but moved to London, where his studio is still located, to study at the AA – Architectural Association from 1974 to 1979. The influence of Dadaism on Arad’s early work is visible in his Rover chair, which resembles a ready-made art object and was intended as a critique of the art world. After more than 30 years, Arad’s work remains diverse, irreverent and sculptural. Exhibited at world-class institutions like the Centre Pompidou in Paris and New York’s Museum of Modern Art, his bold pieces always have a powerful clarity of form and reconsider accepted conventions about shape and function, eschewing embellishment or styling.

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